Film through law. Law through film.
Law on Film podcast explores the rich connections between law and film. While law is critical to many films, films also show how the law is perceived and portrayed. Each episode looks at a different film. What does the film get right about the law? What does is get wrong? And what does the film tell us about the larger social and cultural context in which law operates?
Latest Episode
The Conformist
Guest: Aziz Huq
This episode examines The Conformist, Bernardo Bertolucci’s 1970 political drama set in 1930s Italy. The film centers on Marcello Clerici (Jean-Louis Trintignant), a mid-level Fascist functionary who is ordered to assassinate his former professor, an anti-fascist dissident living in Paris. The film, which includes many flashbacks to Clerici’s early life and decision to join the secret police, provides powerful and chilling insights into the psychology of conformism and fascism The film, widely considered one of the greatest ever made, not only features outstanding performances but also superb production design (Fernando Scarfiotti) and cinematography (Vittorio Storaro) that helps capture Italy under Mussolini. The film is as timely today as it was when it was released, as the world witnesses a resurgence of authoritarianism in the United States and Europe.
